Practicar el pensamiento del cuerpo que danza

Abstract

During an imaginary walk to a park with children's games, I inquire the singularities of researchcreation in dance, a discipline that has been pointed out as an art of body intelligence and a producer of inapprehensible material for study. In this essay I argue that in the act of dancing there is production of knowledge and that it can become intelligible and translatable for other people who do not embody this event. In addition, that finding a name for what is produced is also an act of creation. Finally, I distinguish between two forms of research: 1) that of those who look at the dance event from outside and 2) research-creation in dance.